Showing posts with label clear coat. Show all posts
Showing posts with label clear coat. Show all posts

2012/05/18

What's Up?

North Carolina's Bob Trotman  is June's featured artist. Post questions for him in the comments of this post.
Bob Trotman, No Brainer, 2010; wood, paint, wax; private collection

I have done a lot of repair and some festival-going in the last week and a half. A few beautiful mashup things were sold quickly and I don't have pictures. One was an 80's shaped hardwood desk base that I matched up with a vintage sheet of bird's eye maple veneer plywood for the top. The bottom layer of the bird's eye looked like weathered leather but it may have been a severely distressed finish applied very thick? About 40x22, 7-layer finish ply with a drawer pull (type of thing) cut out along one edge - the most unique piece of scrap I've run into in a long time!

On this Formica table, I painted the legs burgundy.
The legs on this vintage 2-level corner coffee table have since been painter burgundy.

Then I built Icehouse II bookcase on commission:
Custom designed Icehouse II bookcase is assembled from reclaimed, repurposed wood sourced locally in Asheville, NC
 Starting with the door (backing), I cut of the bottom to make it even and to clean off a thin layer of woodrot in the endgrain. The worn, graffitied door was beaten apart from the sides of the tool cabinet it once enclosed, so splintered edges were split off with a chisel. I then wire brushed away the loose paint chips and triple-coated it with water-based polyurethane front and back.(4 layers on exposed endgrain) The hinges were busted off to remove this one, but the bent latch is intact and rotates freely. (Icehouse I Bookcase also had hinges)
The detail of Icehouse Bookcase II shows the irregular bead-board backing and moving latch plate.
The side panels are cut from the plywood back of a very strange old stereo cabinet. I may cannibalize the rest and will try to remember to take pictures of it first. I gave bits of the componentry to Susan for the future making of a Bot.

The shelves are the very last of the shelf-stock donated by our neighbor Sam from a library tear-out in the early 90s. (Previously, I guessed they had come from a prior incarnation at 201 Haywood Rd.) I lost the shop countersink for about a week, so I used a flat auger bit in its absence. With a wide pilot, the flat recess created by the auger seems to create a lock-tight effect when the wood screws bite in at the end. So, lesson learned: losing tools leads to innovation. Lose your tools often as long as you are certain to find them again later.
I do not endorse Ali Baba's flat auger bit set.

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2012/04/29

A Promise Is a Promise: Where's My Update?!

Top two reasons it has taken so long to deliver: a yard sale and a stolen bike. But I don't want to talk about that.


The corner bookcase is great for creative display of toys, books, objects and art.
So there it is, the corner bookshelf, nestled in the chaos of Hip thrift. I do believe it will be more comfortable once it has been claimed by a new owner. Keep in mind, it won't look like this anywhere else; the concept is a blank slate.
The corner bookcase is light and sturdy and is easily disassembled for transport.
The open design makes it ideal for the creative display of toys, books, objects and art.

Meanwhile, I have been doing a bit of painting.
The brushwork here is inspired by the dappled light I experience when painting outdoors.
Dry brushwork on the side of a bookcase.

Four chairs have been painted to match the tree table. Three are shown. Photo credit: Amy Williams
Here are new chairs to go with the tree table. Three are pictured from the set of four.

On a warm March morning, I went to a secret location with the artist Penish Wrinkle and we snagged some wonderful graffitied* tool cabinet doors.
Found in Asheville's River Arts District, this tool cabinet door has been distressed by time and marked by graffiti.
*Graffitied is not a word yet! But I believe that one day it will be.
A repurposed door will serve as backing to refurbish the crooked, wobbly bookshelf.
This is the backside of the door, which is being repurposed as the backing for a crooked, wobbly bookcase that I picked up at an estate sale.
Shown at Hip Thrift, the wobbly bookcase is now solid as a rock and looking spiffy.
And now it is solid as a rock and no longer crooked. I wire brushed the loose paint and heavily glazed the entire door, front and back, so it is a safe piece despite its delinquent origins.


The bookcase for vinyl sold yesterday and two different parties are now very interested in the tree table. It feels great to be productive! Thanks to everyone for your support.
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2012/03/30

Tutorial: DIY Bookshelf holds Vinyl

My last bookshelf sold at the March Hip Thrift Second Saturday event. I also had a specific request to build another to hold vinyl. As luck would have it, I had exactly enough material to build one nearly identical but with taller shelf spacing.

If you like it, I have good news: the original requester has not been in touch, so this new shelf is still available. As I mentioned in the last post, the record-shelf has been assembled for awhile but apparently needed time to settle down before being painted.

More good news: it's a good starter project if you want to work on some basic woodworking skills. To complete this DIY project, you will need shelfstock, a single bi-fold door, fence slats, and fasteners. Paint or other finishes are optional. Useful tools: speed square, tape measure, carpenter's pencil, safety gear, circular saw, jig saw, drill and drivers / bits, countersink, and brushes or spraygun.

Always start by cleaning, organizing and syncing the pieces you plan to assemble. Shelfstock is squared on both ends and cut to match the shortest length. Mark square lines with a speed square or carpenter square, then carefully cut with a reliable saw. These boards are squared on both ends and cut to a uniform 28 inches.
(Hey look, it's that nifty oval table before it got painted!)

Once the hardware is removed from the bi-fold door, all pieces are uniform and ready to be altered and assembled. First, material is cut out from the bottom rail to create feet. With a speed square pull lines angling inward. I used 12 degrees. With a jigsaw, cut precisely into the corner and stop.

Leave plenty of room to freehand a curve to the top line, starting the saw with the blade already inside the existing kerf. Again, saw into the corner and stop. In this case, the top line is sawn left to right.

Cut out the last corner from right to left. Repeat for the second shelf support.

Determine shelf spacing by considering what you'd like the shelves to hold and sketching to achieve your own concept and a visual harmony. Mark the bottom of each shelf across the inside face of the front and back stiles of the shelf supports. In this case, once the bottom shelf is marked out, you can add marks at 13-1/2 inch intervals: 12-1/2" vinyl + 1/4" clearance + 3/4" shelf thickness. 1/4" is a very tight clearance and requires great precision. 1/2" to 1" clearance is preferred.
On the outside face of each stile, mark (+) for drilling 3/8" above the lines marked on the inside face. The back stiles can be drilled in the center, but the front stile should be pulled slightly (~1/8") to the back since the face of each shelf will not fall flush with the front face of the front stiles. If the shelves were deeper than the stiles, they would stick out past and this would not be necessary. Pilots are drilled for a loose fit but leaving plenty of cover to hold screw heads. Then a countersink is used to ensure uniform depth when sinking the screws. Piloting and countersinking can be done in one step if you have an adjustable countersink bit.

Lay out the bookshelf face up and choose where you would like to place each shelf. This is especially important if you use reclaimed materials. A shelf with a defect on the bottom side can be placed near the bottom where it will only be seen while you do yoga. A shelf with a defect on the top side can be placed at the top of a tall bookshelf where it will only be seen every three years when you dust off the ceiling fan and/or chandelier.
 Right-handed instructions: Insert a screw fully into the pilot so that the tip is flush with the inside of the front stile. Facing as shown, use the left hand to stabilize the bottom shelf and line up the bottom of the front edge with the mark on the inside of the front stile. Use the right hand to drive the screw in with reasonable force, being sure not to angle the screw in such a way as to blow out on the front, top or bottom of the shelf. Twist the back of the shelf into place with the left hand still on the front edge. You can use a foot to brace the back edge but always be sure to keep hands and feet clear of the area where it is possible for the screw to blow through the shelf unexpectedly. Do this along one side before beginning the other.

 Fence slats are laid on their sides to determine the extent of twisting, cupping, bowing or crowning. For this project, crowning would present the largest problem. When laid as shown below, a stiff crown will stand out by raising up in the middle significantly more than adjacent boards. If the crown is placed upside down, the piece will rock like a seesaw. If you encounter a board with a bad crown consider replacing it with a tamer piece of wood. But don't be afraid to force one into place - factory milled wood is never perfectly straight.

Now the entire unit is flipped to face down. Each shelf is already secured with four screws. Remember to lay out the backing in advance before getting too far and noting a problem too late. The application of backing provides cross-bracing and stiffens the positioning of the frame, so be sure you have enough play for adjustments.

TIP: the flange of a speed square can be used to provide a uniform gap between planks. This is very useful when building a deck.
I didn't follow my own advice, centered this gap on the back of the top and bottom shelves, and attached the middle slats before laying out the remaining boards. Since this bookshelf is 2 inches narrower than my last, I need to run the backing without intentional gaps - they must sit tight to avoid ripping down the plank on each outside edge. Good that I caught it when I did - I only had to remove four screws and attach the two boards again with no gap. After the two center boards are on, check the four inside corners for squareness with the speed square. Rack the frame as needed when you attach the third and fourth slats.

Based on the quality of the upcycled wood at my disposal, I decided painting was the best option. I started with a greyish base coat. It was much lighter than it appears in the Goop below.
The base coat is shown in progress. The shelves had previously been hit once with watered down white left over from painting another project earlier.
This is about all I can show of the painting process - don't want to give away my secrets! But seriously, have fun with it, experiment, don't be afraid to take risks. If you don't like the result, you can just paint over it.
Between here and the finished product:
*watery spray (purple gray)
*brush-out
*air spray disturbance
*back spray through the gaps
*heavy orbital sanding
*clear coats

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2012/03/29

Hip Thrift Updates: Nifty table is on the floor.

Not too long ago, I hinted that I might document the construction of a new bookshelf to be sold at Hip Thrift. It's funny how things get in the way, in this case literally. While I was building the shelves, Amy Williams was sanding down the top of a sweet old wooden table. And then somehow this table ended up back in the middle of the workspace. I thought, "Let me paint this thing and get it out of my way, then I'll paint the shelves . . ."

Well, I still haven't painted the shelves.
The table took on a life of it's own.
I thought, "This is a classic table. I'll paint it white."
Then I thought, "Those little circles could really make it pop," so electric blue.
And then, "The legs look bare now . . ."
"Now the top needs some color," and I speckled it with blue and teal.
And then, inspired by painting outdoors. Above, the raw painting is in progress.

Following that were olive and milky glazes, sanding and distressing, and many layers of clear coat. A worthy picture will find its way here soon, but I brought it into the shop tonight by the light of a streetlamp.
So check back for the finished product in all of its refurbished glory.
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>>> daylight

>>> in detail