Don't be confused; it's not the world's smallest end table. It is the most engaging of the 96 little tiles I sliced from an old timber.
I kept that timber for a reason, but for a long time it was unremarkable, waiting for the right moment to speak to me.
While organizing the workshop, I saw some mold on one end and went outside to cut it away. That's when the timber spake, "Behold, my intoxicating fresh end grain and sawdust like a terra cotta murder scene."
Any subtle change in the light or the surface reflects in the coloration and natural luster.
(first layout attempt)
(from Reboot)
This end-grain wood floor was the original inspiration.
I'll be going with the layout below:
(six tiles shy)
With excess irregular tiles, I can also form bookmatched coasters.
It really doesn't smell like Cedar. It's rich and earthy and behaves more like Walnut, besides the purplish cast and clay colored sawdust. The man who built and lived in that house milled the wood from his own land; I can't imagine it's not indigenous. Despite looking different in every photo, the tone is consistent throughout so it can't be stained. I'm still not sure what kind of wood it is, but I am sure I love it!
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